By Setting
Where Our Products Are Used
11 scenes
The D-399a relief fountain stands hard against the tall rendered boundary wall that closes the far end of the pool, flat back to the render, on the pool axis so it reflects the full length of the water. Two E-320 relief panels are mounted mirrored on the same wall either side of it, flush to the render and much smaller in frame. One I-029 vase sculpture light stands in the raised bed at the wall foot.
The D-175 rockery waterfall sits in the deep shrub planting where the bark path curves, its back into the shrubs and its water falling down the rocks towards the path, clearly the main feature. One C-351 running dwarf stands dry on the bark path in front of it, closer to the camera but much smaller, an inanimate cast garden ornament and not a real person. One I-189 mushroom light sits at the path edge further along, smaller and partly screened by ferns.
The FT-326a carved fireplace mantel is fitted flat against the chimney breast on the end wall, its back to the plaster and the hearth opening centred within it, the worn rug and armchairs drawn up in front. The C-055 portrait bust stands on the console table against the side wall, much smaller in frame and clearly secondary.
The D-018 fountain stands four-sided on the grey setts directly in front of the porch steps, clear of the verandah wall on every side and running with clear water. A mirrored pair of C-051M lions on their pedestals sits at the foot of the short flight of steps behind it, one either side, facing out across the forecourt, smaller in frame and clearly secondary. Two B-152 urns, planted with seasonal flowers, stand further along the verandah paving, low and distant.
A mirrored pair of C-050M seated lions on their pedestals guards the foot of the broad entrance steps, one either side, facing out across the forecourt. Two H-126 fluted columns stand behind them as the structural columns of the porte-cochere, framing the doors rather than decorating them. One B-404M openwork planter stands at the end of the steps, clearly secondary.
The C-277 veiled maiden stands on the shallow rise on the aisle axis, four-sided and centred against the tall clipped yew hedge — the single focal point of the scene. Her identification lists no nozzle or water outlet, so she stands completely dry: no jet, no falling water and no pool around her. One B-255XL urn on its H-247L pedestal stands well to one side at the foot of the rise, planted with white hydrangea and trailing greenery and likewise completely dry.
Products in this sceneC-277B-255XL+H-247L
The C-296 angel on its H-297 pedestal stands at the centre of a semicircular overlook, four-sided on the paving and facing out over the water. A curved run of I-003ST carved balustrade encloses the overlook behind her, low and structural. Two B-152 urns sit at the overlook entrance, planted with trailing greenery and clearly secondary.
The D-443XL three-tier fountain stands on the lawn at the end of the drinks area, four-sided with mown grass clear all around it and the brick wall well behind. Two B-074M planters are mirrored at the terrace edge, much smaller in frame. One C-054 bust sits on the low terrace wall, barely an accent.
The CH-031 ornamental bench is set with its back hard against the planted evergreen bank on the landward side of the walk, facing out across the promenade to the water. The C-088 donkey planter stands further along the bank, small in frame. One I-182 lantern sits low in the grasses beside the bench.
C-166 and C-167 form one co-equal matched focal ensemble at the hotel entrance: exactly one C-166 assembly on its own H-158 pedestal stands to the left of the broad stair and exactly one C-167 assembly on its own H-158 pedestal stands to the right, at equal distance from the entrance axis. They are complementary non-identical sculptures, so preserve the distinct pose, drapery, body turn and overhead basin of each reference; never duplicate, mirror or merge one model into the other. Both sculptures and both overhead basins stay completely dry. Two B-404M openwork pedestal planters, planted with restrained white flowers and greenery, stand further back beside the doors, lower and clearly secondary. Each complete statue-and-pedestal assembly is about 230 cm high, with no extra plinth.
C-166 and C-167 form one co-equal matched focal ensemble at the first garden crossing: exactly one C-166 assembly on its own H-158 pedestal stands on the left edge of the walk and exactly one C-167 assembly on its own H-158 pedestal stands on the right edge, facing slightly inward across the axis. Preserve the two distinct reference poses, drapery directions, body turns and overhead basins; they are a complementary pair, not identical mirrored copies, and must never be merged. Both stay completely dry. Two I-439 floral openwork garden lanterns stand much further down the path at the next crossing, lower, smaller and secondary, with their internal lamps unlit in daylight. Each complete statue-and-pedestal assembly is about 230 cm high and stands directly on level paving without any added plinth.
Application visualisations built from real catalogue models. These are not delivered project references.